Showing posts with label masked drinker. Show all posts
Showing posts with label masked drinker. Show all posts

Tuesday, April 21, 2009

The Masked Drinker's Guide to Benders


In drinking, like all things, moderation is the key. What some people never tell you about that guide is that “all things” includes moderation, so one must moderate in moderation as well. And there sometimes—not too often—comes a time in someone’s life when it’s time to go a little off the deep end. A good bender can be a damn fine thing, but you really have to do it right. I’ve done it wrong in the past and learned from my mistakes. I just got back to work after a week and a half off and I quite explicitly decided to make it a bender. So I’d like to now share what I’ve learned about this noble and horrible experience.

First off, make sure you have ample time to be to yourself. You’re going to need anywhere from a weekend to two weeks (longer than that I really highly don’t recommend) where you are pretty much free from normal human responsibilities like family, work, and hygiene. (Just kidding.) (Kind of.) Point being if you need to check in on Granny every now and then or work with children or make spreadsheets to keep yourself employed, don’t go on a bender then. Self-destruct in moderation! I’ve often used spring break, but it’s very vital not to do it in the way low folks like Floridians would. A bender is not an excuse to yell lewd things at impressionable girls. A bender is a hedonistic self-exploration.

It often helps to have something of an impetus for the bender. It can be something as simple as “I have time off” to something rather more serious like, “Holy shit, my marriage just ended.” Sad-started benders need to be monitored more carefully than others, as the point is to come out a little better than you started, not way more depressed. I’d say stick to a good reason at least your first time. No bender is trickier than the barely-avoiding-depression bender.

I should add that you should let people know what you’re about to do; at least the ones that won’t give you hell about it. I, uh, in particular mean people that you share some sort of activity or some such with. Like, uh, a blog. I’d like to publicly apologize right here for not sending anything in last week. Sorry, theoretical adoring fans, arch enemies, and lovely crushes. Also, sorry Colonel Harmon. Really should have kept you of all people in the loop on that one.

Mostly go to bars where they know you. Now, don’t only go there, as they’ll get really tired of you. A bender’s a nice time to explore joints randomly. Remember, though, not everyone’s on a bender so don’t be an asshole, at least not more than you usually are. Respect the rules of trying out new bars, just do so within a week-long stint of drinking.

Remember to eat. Some nights you’re going to be stuck with the dregs: a friend’s leftover sandwich, microwave bar food. That’s unavoidable. But make sure you eat normal food too. Pasta keeps your stomach from completely revolting and just leaving by way of the first orifice it can find. At times when you’re just starting for the day or nicely buzzed, eat something really good and tasty. You’ll appreciate it whilst swimming in your debauchery.

Speaking of food and digestion, be prepared to not digest too well for the entire time. We’ve all had beer shits before, but understand that a real bender’s gonna involve beer shits pretty much every day. Stock up on TP and the stomach placebo of your choice and just roll with it. You get used to it, anyway.

You’re going to be tempted to bathe less. This is not a great idea. Everybody skips a day every now and then but if you skip more than one, you’d better have a major excuse, and it has to involve either an explosion or sleeping with someone ridiculously hot. Otherwise, for Christ’s sake, nobody needs to smell your drunk ass. If you must, buy some cheap beers to drink in the shower for motivation. That’s actually really fun.

Bender friends help. They’re not always available and do make sure they’re good bender friends. Bad ones quickly lead you down paths that not even you want. But someone who shares your break or purpose and can actually hang with your drinking style is pretty awesome. Nothing’s worse, though, than a lightweight bender friend. Can I call them frienders? When you’re out and ready for a multi-hour stretch and he or she is hiccupping after one beer, problems arise.

It also helps to have a non-bender friend, someone who’s generally staying sober, or at least normal. This has to be a close friend you trust and who is not judgmental. You need someone watching out if you’re about to step over a line, like drinking a fifth of whiskey near some cops or hitting on someone you really shouldn’t hit on. REALLY SHOULDN’T. But if you’ve got a judger, they’re just going to be on your case about everything so you never know what to take seriously. A cool non-bending friend can be a real ballast making sure you don’t go about this all wrong.

Keep some sort of record of what you’re doing. I don’t mean some weird OCD list of every drink you have. But a journal or something. Personally, I like to keep my camera around. Benders often lead to amazing, unexpected times. It’d be a shame if you couldn’t remember them. So make sure there’s something that will keep these good times around even after you clean up.

Lastly, when it’s time to rein it in, do so. When you’ve set yourself a time limit, never extend it, not even for a day. You’ll feel terrible for a day or so but, man, you will feel great once you’ve worked it through. Elongating a bender is the surest way to wreck it. There’ll be another time. Besides, it’s time for moderation in your excess.

Photos by the Masked Drinker
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Wednesday, April 8, 2009

The Masked Drinker Gets Poetical


“She turns and looks a moment in the glass,
Hardly aware of her departed lover;
Her brain allows one half-formed thought to pass:
'Well now that's done: and I'm glad it's over.'
When lovely woman stoops to folly and
Paces about her room again, alone,
She smoothes her hair with automatic hand,
And puts a record on the gramophone.

'This music crept by me upon the waters'
And along the Strand, up Queen Victoria Street.
O City city, I can sometimes hear
Beside a public bar in Lower Thames Street,
The pleasant whining of a mandoline
And a clatter and a chatter from within
Where fishmen lounge at noon: where the walls
Of Magnus Martyr hold
Inexplicable splendour of Ionian white and gold.”


Thus sayeth T.S. Eliot in “The Waste Land.” Why bring it up, especially since I am clearly an idiot in a mask that drinks too much? The answer is threefold. I’ve been teaching “The Love Song of J. Alfred Prufrock” to 10 year olds this past couple of weeks and it’s been kind of awesome. Also, as you might know, the poem quoted above begins with the famous line, “April is the cruelest month.”

Thirdly April is National Poetry month, which may or may not have something to do with the previous two reasons. Poetry and drinking have a long, weird history, really. I mean, pretty much any poet worth his or her salt (from Shakespeare to Hank Williams Sr.) was a giant drunk, or would have been if they weren’t so goddam nuts they weren’t ever around booze. I’m looking at you, Dickenson.

It was only last week when I was about to enter Shades of Green in Manhattan in order to a) play a nerdy board game with my friends and b) try to flirt with a cute waitress (the two go together like peanut butter and chocolate IF YOU ARE ALLERGIC TO PEANUT BUTTER). I was finishing up a cigarette when a fellow came from inside and asked me for a light. He then began to expound upon all sorts of topics, like the original location of Tammany Hall, how kids only study things like business today, and the genius of song and poetry. He then recited “The Harlot’s House” by Oscar Wilde from beginning to end. It was impressive on the other hand, and long and weird and creepy on the other. So maybe if you want to memorize a cool poem suitable for bars, perhaps a multi-stanza epic isn’t quite the way to go. (Although that may have been super impressive to some Ren Fair girl, but if you want to impress a Ren Fair girl I don’t want you reading my goddam blog in the first place and getting your greasy little fingers on it.)

(I was going to post a photo of Ren Fair people here but realized I hated neither you nor myself enough to do so. But now the image is stuck in my head so I have to look at something awesome.

Whew, much better.)


So, with that in mind, I have decided to supply you, my reader, with your own easily-memorizable poetry to use and enjoy this month or whenever the fancy strikes you. For convenience sake, I’ll keep it in “fun size” haiku poems. Enjoy!

Home with cold beer
Oh no where is opener
My life is pointless

You are beautiful
I think that you should make out
With the Masked Drinker

Oh man gotta pee
I should have stayed with liquor
Beer goes right through me

This is like magic
I’m pretty sure that whiskey
Just made me charming

Dear God I’m hungry
Oh, look, it’s a White Castle
This is a mistake

I have bought four drinks
I hope next comes a buy back
Yay life has meaning

This party is lame
So I will play this guitar
Wait, I don’t know how

You’re familiar
How is it that I know you?
Oh, yeah. We had sex.

Holy shit this beer
Tastes like homeless dude asshole
It’s free? Glug glug glug

What is the best blog?
It’s “Here Comes a Regular”
It’s because of me

Eh? Eh? Whattaya think? Should I start sending to publishers?

Feel free to add your own!
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Wednesday, April 1, 2009

The Masked Drinker's Bourbon Pairing: Shotgun Willie


Let’s talk music. Now I might be a man of strong opinions when it comes to music, but I make no attempt at seeming like I’m an expert. I’m basically one of those annoying guys who “knows what he likes.” But I can freely admit when I like some terrible fucking things, and when I hate some amazing stuff. It’s nice when what I like coincides with What Is Good, but not necessary.

Today I want to talk about an album that is not only Good but Perfect Drinking Music. And that’s Shotgun Willie by Willie Nelson. I don’t understand how this came out as a country album in 1973. It’s funky, jazzy, funny, and completely awesome the entire way through. The title track starts off with this crazy bass line and simple guitar work. The lyrics are silly, metatextual, and make fun of the Klan on top of it. When the horns kick in you know you’re in for something special. Willie’s classic, often underrated guitar work doesn’t hurt too bad, either. Listen to it.

Then, of course, you get that second track, “Whiskey River.” Now, I’m a man of certain traditions and rituals. When I see a “L’occatan en provence” shop, for instance, I say the name out loud in a terrible French accent. This was designed to drive an ex of mine nuts, but I still do it, even when alone. I dunno, I like this stuff. Anyway, whenever this song comes on, no matter my state or the time of day, I take a glass of bourbon. The lyrics are simple, but exactly what you need them to be.

Whiskey River, take my mind
Don't let her memory torture me
Whiskey River, don't run dry
You're all I got to carry me

I'm drowning in a Whiskey River
Bathing my memory's mind in
the wetness of its soul
Feeling the amber current flowing from my mind
To warm an empty heart you left so cold


Damn, I couldn't find the album version, but here's a good live one.



Those two stanzas are just repeated in between some great music and solos. Everybody gets a turn, classic jazz/bluegrass style. That funkyass bass is still there, and the vocal harmonies are churchly beautiful.

Incidentally, Willie released his own bourbon called Old Whiskey River and it’s pretty damn good, actually. I remember being offered it by a waitress friend whilst in a heartbroken state. I took it because it was nice of her and, hey, free bourbon, but I really didn’t expect much. Blew my mind that a celebrity bourbon could be so damn tasty. Pretty hard to find these days, and it’s not my absolute favorite, but it’s always a welcome sight.

Next up is “Sad Songs and Waltzes,” a sad and funny little tune where Willie tells some woman that broke his heart that she doesn’t need to worry about anyone finding out, because no one will listen to this song. Cake (remember them? Faux Bee June does.) did a good job covering it, I recall. It’s kind of hard to find a good waltz these days. OK, let’s start a movement, Waltzcore. Who’s in? Cotillion INSANITY all the way. Man, we will make some parties that will be THE THING.

The whole album’s great. There’s classic great country like “Local Memory,” more crazy 70s countryfunk like “Devil in a Sleeping Bag” . . .it’s all over the place in all the right ways. “She’s Not for You” is a minor key masterpiece. The Bob Wills cover “Stay All Night (Stay a Little Longer)” is what we all want to say after that fourth drink and that cutie next to you just cracked the perfect joke and smiled that smile.

Anyway, I can’t recommend this album highly enough. Don’t be afraid if you don’t like country; it’s barely recognizable as such. Just get a tall glass of straight bourbon, nothing too fancy. Sit back, relax, and have a damn fine time with an American genius. (Not me, Willie. Although you’re welcome to try me sometime, too.)
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Tuesday, March 24, 2009

The Masked Drinker's Guide to Las Vegas

I’m not a huge traveler. I came from shit-town, Kentucky and climbed my way to the heights of awesomeness in Brooklyn. New York City has just about anything you could want in any place, so rare is the time that I leave it. When I do, it’s with a mission in mind, be it food (lobster rolls in Maine), friends (wedding in Arkansas), or duty (family in-sigh-Kentucky). But way back in my college days my two best friends were attending college in Las Vegas. So, every spring, I’d go visit them.

And, seriously, fuck Las Vegas. Jesus Christ is there a worst place on the planet? (Other than the internet.) “Oh, but it’s party central, Masked Drinker!” you might be shouting at your screen (your coworkers hate you). No. It is stupid central. “But they have no open container laws!” (Stop shouting.) And, yes, that’s pretty awesome, at least, until you realize that most people in the world have no business drinking so much as to need to take it out from building to building.

Drinking in Las Vegas is a lot like going out to eat on Valentines Day or having pizza in Los Angeles: fucking amateur hour. Screaming morons with retarded novelty cups half-filled with shitty drinks or shittier beers lurching from specially-designed human maze-trap to otherly-themed human maze-traps wasting money that could be used for something useful like curing AIDS, getting me a better phone, or curing phone AIDS.

My friends did the best thing they could possibly have done for me when I first arrived. They picked me up at the airport and drove me straight to some casino. They gave me twenty bucks and let me choose where to spend it. I sat down at a blackjack table and lost it all within ten minutes. Don’t go to casinos in Las Vegas. They are designed to take your money and sense of time away. You might get a free drink or two, but they will taste like they were poured through the sole of your shoe.

It’s not that I mind gambling. Hell, I love poker. (Real poker, not that “Hold ‘Em” bullshit. Poker isn’t an exercise in card counting. Well, not that explicitly. It’s an opportunity to drink and lie with your friends. And sometimes lay with them.) But big casinos are just awful wastes. Also, you inevitably will find yourself faced with a line of elderly people mechanically dropping their savings into slot machines, and I don’t know about you, but pondering the meaninglessness of my own mortality isn’t high up on my AWESOME FUN list.

And casino bars suck. Hell, all theme bars suck. If I may paraphrase Tolstoy in a blog entry about how much Las Vegas sucks, all good bars are similar; but each shitty theme bar is shitty in its own themey way. Again, I lucked out as I had locals, or local-enoughs to be able to be hooked up with a normal bar filled with normal people who actually knew how to drink. It’s the only place, other than peoples’ apartments, I’ve happily been drinking in Las Vegas and I don’t mind telling you what it is. It’s called the Stake Out. Now, this was back in college so maybe it’s too college-y for me now, but I never had less than a good time there.

I’d like to take this time to anti-recommend a bar in Las Vegas, now that I think of it. There’s a Cheers branch there, and one friend and I went to see what it was like. HOLY SHIT IT WAS AWFUL. You’d think the most famous bar license in the world would have a bit of quality control. It was a horrible little hellhole with only two people other than us in it: the bartender and a customer, both with long, curly hair. We found the juke and played some early Van Halen and dude turned it off. He had the audacity to purport Santana was a better guitarist. Suffice to say the night ended with us throwing bottles in a rage and scooting on out.

That’s what Las Vegas is like. It brings out the retarded in you. Sometimes that’s funny, or at least is in retrospect. There was the time we semi-accidentally Cool Hand Luked a college parking lot; an epic story filled with danger, superhuman feats of strength, and a miraculous shopping cart. Unfortunately, even masked, I don’t think it’s the best idea to share it online, but let’s just say mistakes were made and we’re all very lucky to be where we are today.

So I guess I’ve had good times in Las Vegas. But it should be noted said good times were had with the people I had good times with in the middle of nowhere, Appalachia, so that may have just been the company. Go if you have to. Maybe it’s an experience people need. And you won't do so badly if you get some locals and get away from the strip. But understand that it’s going to be a weird, depressing experience filled with the lowest thoughts and deeds mankind has to offer at the moment. And that at one point you’re going to be totally wasted, carrying someone’s booze through a shortcut that takes you through a loud casino, and all the sudden you’re going to realize what Hunter was really talking about.
Images stolen yadda yadda. I'm just happy I remembered how to do roll-over text.
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Wednesday, March 18, 2009

The Masked Drinker's Bourbon Pairing: Garth Ennis comics

I’ll be honest. I’m not doing so well right now, folks. I have had a bit too much too many days in a row. Jobs that start early and nights that go late can add up. And that goddamned animal holiday yesterday filled every bar with rank amateurs of questionable skill, knowledge, hygiene, and moral fiber. But I soldier on, fear not. I’ve got another bourbon pairing aimed right at your soul, high caliber style.

You may have noticed I’m a man who enjoys the occasional dip in the nerd pool. OK, fine, I’m prune-fingered from staying in too long. THIS METAPHOR IS GETTING TIRED. So this week’s bourbon pairing is all about me bringing you, the reader, into a pleasant nerd cave filled with excellence.

See, one thing that always goes well with bourbon is the comics of one Garth Ennis. Ennis is an Irish writer that came to American comics by way of a slightly different route. Most comic writers grew up reading the same superhero comics that are around today, but not Ennis. He grew up on a steady diet of British war comics, more anthology-based, more morally complicated, and often laden with irony and honor like ketchup on a classless person’s steak.

He’s worked on a number of books that are prime bourbon material. One of his few forays into (somewhat) traditional superhero fare was Hitman, the story of an Irish gangster with x-ray vision. Superheroes were skewered and satirized while keeping the action going and the humor ribald. Friendship between men, a common theme in his work, is an important strand throughout. I honestly don’t think it’s his strongest work, as some of it seemed derivative of the works of John Woo.

He’s more famous for the series Preacher drawn mostly by Steve Dillon. There were sixty-six monthly issues now collected into nine trade paperbacks. Both a love letter to the myth of America and a deconstruction of Judeo-Christian (especially Catholic) belief, Preacher is the story of Jesse Custer, a tortured man with a complicated background and a strong right hook who one day acquires the “Word of God,” an ability to make people do whatever he says. He, a hitman girlfriend, and a vampire best friend go off to find God and “make him pay for all the suffering.”

The tone moves from slapstick, gross-out humor to elegiac romance to action buddy-movie and everything in-between. Steve Dillon’s artwork is clean, full of expression, and representational enough to ground even absurd concepts, like the failed suicide called Arseface. There are lots of great moments and overall it’s an impressive, personal work. There are unfortunately points where Ennis falls a bit too in love with his characters, and tidies things up a bit too neatly, and other points where his critique of religion is more adolescent petulance than thought-out theology, but it’s a remarkable work well worth checking out.

It’s my masked opinion, however, that a more recent epic is even better, and it comes from the strangest place. Ennis and various artists spent the past few years working on the Marvel Superheroes gun-toting vigilante, The Punisher. The character debuted as a Spider-man villain, but eventually became popular enough to support several of his own titles (including a near pornographic “file” book detailing the various guns he uses). Largely and for ages thought of as something of a joke by readers over the age of 13, Ennis was given free reign to do whatever he wanted with the character. He started with a dark comedy called “Welcome Back Frank” that teamed him again with Steve Dillon. Sort of a morbid Road Runner cartoon, villains were dispatched in increasingly violent, absurd methods. But then Ennis wrote “Born,” a sobering look at The Punisher’s time in Viet Nam and here is where he seemed to really find what he had to say about the character, and, more, through the character.

He quickly relaunched the book with rotating artists for different stories and a darker, more serious tone. Now an adults-only book, it tackled various issues in the world today from sex trafficking to the war on terror. In truth, it became a years-long epic examination of the world and especially the United States, in today’s both post-Viet Nam and post-9/11 environment. Harrowing, poignant, and yet never losing the pulp excitement and action that carries the character, the series is one of the most significant pieces about America I’ve seen in the form. Frank Castle, the Punisher, is portrayed as a man of his time, completely dedicated to his psychopathic war, a relentless killer who just happens to kill terrible people. But the Punisher is more a vehicle for the social examination that Ennis is doing; he’s often less a character than a device.

A book about a guy with a skull symbol on his chest killing bad guys has no right to be such a vital, amazing work of art. But it is. Also collected in trade paperback form, I cannot recommend it more highly. Crack it open, pour yourself something brown and hot, and let the two things rattle your brain together with toughness and meaning.
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Wednesday, March 11, 2009

The Masked Drinker's Guide to Karaoke


There are a lot of things you know about me already. You now that I wear a mask. You know that I drink. It can even be inferred that you know I’m completely fucking awesome. But there is something that you may not have known about me that is a subset of my overall awesomenity. What I now refer to is my status as a Main Guy of Karaoke. Underneath this writerly exterior lies a wailing behemoth of rock, and from time to time it gets out.

But karaoke is no amateur’s game; it is not to be approached willy-nilly. There are certain tips and guidelines I’d like to share with you that I’ve garnered over my years of belting out tunes in establishments built up by Asian immigrants.

First, perhaps most obviously, drink. Now, you’re probably thinking, “Extremely handsome masked guy, why for you tellin’ me such obviousness?” Well have you ever seen the people who karaoke sober? Let’s put it this way: you know when you’re not wearing shoes and you stub your toe; and you don’t just stub it but you bend a toenail back; and there’s that rush of painful air on your tender, exposed, stubbed skin? That sucks. But sober karaokeers suck worse than that. They take this shit way serious.

That’s the crux of a lot of these tips. Don’t take it too seriously. To that end, avoid singing songs that have emotional value to you. This isn’t a recital, nor a serenade on a first date. This is having some funtimes and blurting out some funsongs. If you have a wedding song or a song your dad had played at his funeral or a graduation song and for some reason you actually like thinking of high school, do not sing these songs. You will ruin them, and then you will feel bad.

Have some go-to songs, too. They should be fun, light, and recognizable. I recommend having at least one solo go-to and a couple duets. Duets are automatically better than solos, as you’re having fun with a friend (or a stranger that maybe you make out with later), and no single person must carry the burden of hitting every note in the song. One of my solo go-tos is the theme from “Cheers.” Getting the bartenders on your side is a nice step in karaoke rockage.

If you’re going to rap, be sure that you really, really, really know the song. I dialed up “Intergalactic” by the Beastie Boys once, because I love that song. Well it turns out I knew about 60 percent of the lyrics and thus 40% of the time gawped and looked an even bigger fool than usual. That shit is fast and difficult, and after a few drinks, the tongue doesn’t want to work like that. But I’ll say this: in the rare event someone does pull it off? MINDS ARE BLOWN.

You know those songs that you assume you’re going to hear when you go to karaoke? Like “New York, New York” or “Crazy” or “Piano Man”? Well, you are going to hear them. So don’t sing them. Nobody wants to hear the same song, no matter how good it is, over and over and over again all night. Put a little variety into the evening. Something you loved growing up, but don’t hear all that often. And if you know it, never fear a little old country. Even in Downtown Manhattan you’re going to be surrounded with more fans of David Allen Coe than you would have ever guessed.

Speaking of the people around you, show them some love. The best karaoke is public karaoke. I’m not so down with the private rooms with just you and your palsies. Do that a few times and you can predict what everyone’s gonna do. And it gets boring. One of the pleasures of karaoke is interacting semi-artistically with total strangers. So when somebody goes up and gives it their all, you goddam well better applaud! Especially if they’re into it. (Not taking it seriously, into it. Very different. Serious-takers have pained faces and sing important tunes with vibrato and heartfelt emotion. They make you want to leave, die, or both. Into-its are totally rocking out and having funtimes.) Cheer, high five, spread the love. It’ll come back to you. Don’t be one of those shitty groups that only listen to their own friends and never have fun with anyone else. They are like stepping in dog poo, except at karaoke and with singing.

Speaking of Into-Its, totally be one. Rock out with your best moves. Nobody expects David Lee Roth, but do what you can. A little dancing and rock posing goes a long way. Which is not to say do only the barest minimum amount. Let the rock flow through you like electric fuck. A lot of rock stars are neither hot nor that good at singing. It’s all about that electric fuck juice. Drink heartily of it.

The most important thing is just to let loose and have fun. Bring some friends who are ready to party, meet some new folks, and rock it out. The second most important thing is not to sing “Bohemian Rhapsody.” You can’t sing it, it takes forever, and everyone else in the room will hate you. If you MUST sing it, wait until right before closing time. Then people will be drunk enough to form a chorus with you instead of resenting your sorry ass.

portrait by girl the Masked Drinker wishes he remembered. And, yes, that's open mic and not karaoke but it's the best I had. Shut the fuck up. Other picture stolen from internet and written on using photoshop in its basest form by the Masked Drinker.
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Friday, March 6, 2009

HCAR Drink Tasting: The Southern Bride


Hey, folks. I know Faux-Bee June usually writes up these drink thingees, but she’s off in the hills of Scotland collecting the heads of her enemies, so we drew straws and guess who got the short one? The hint is: he wears a mask and is me.

This week we had a gin drink called the Southern Bride. I thought maybe this meant it was 16 years old but it was actually 2/3 Gin, 1/3 grapefruit and a splash of Maraschino. Gin and grapefruit both prove to be pretty strong tastes, so we got some pretty strong opinions. Onwards.

Our roster:
Staff members Faux Bee, myself, Syrcls, and Rachel and frequent guests Meatball, Fraulein N, and The Pet sat around on a cold end-of-winter’s night and tried to enjoy life.
Generally folks didn’t like this drink. Every single contributor mentioned that it was too tart or bitter, and that gin and grapefruit just do not go well together, like peanut butter and knifestabs. Rachel felt that the drink was best suited for old ladies in Atlantic City, but Meatball put down a Johnny Ryan comic long enough to comment it was for Upper East Side Ladies. I felt it was more for sorority girls, and the Fraulein darkly commented more literally that it would be suited for “A woman getting married south of the Mason Dixon line.” So we basically thought it was for women of low taste.

When asked where and under what circumstance they pictured themselves having this drink, The Pet, Rachel, and Fraulein all flatly said they would never drink this. Syrcls allowed that if she were depressed and there was no Nyquil, she’d give it a whirl. Faux Bee would indulge if she were dating a fellow with a deep expense account. I was more lenient, thinking that on a hot summer’s day this might be a bit more pleasant.

On the subject of improving the drink, everyone mentioned some sort of replacement. Tossing the gin for vodka was a popular choice, but the Fraulein and I agreed that the grapefruit was the most offensive part. I thought maybe lemon juice and some sweetening agent would make this a pretty nice summer drink. Syrcls would improve it by “throwing it in the toilet.” She went on, “Dark chocolate beforehand probably made this even worse. Eww. Just eww.”

In conclusion, Ms. June donned her lab coat to tell us that grapefruit actually hinders the liver’s ability to process alcohol, so it’s basically the worst mixer of all time. I still hold to the belief that nuclear waste and razor blades are a worse mixer, but to each his own.
Sorry if I did this wrong. Faux Bee is better at it. Let’s hope the Quickening doesn’t drive her mad with power.
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Wednesday, March 4, 2009

The Masked Drinker's Bourbon Pairing: Mad Men

The Masked Drinker was having computer problems, so I have posted this week's article for him.

--The Colonel

A main fact about me is that obviously I am extremely wise. I have been dropping twenty dollar knowledges on you from the inception of this blog. But my role as educator need not be limited to how to guides for bar living. Starting this week, I’m also going to occasionally talk about booze pairings. Specifically, I’ll be talking about bourbon pairings.

Now when I say this I don’t mean foods you should eat that go well with bourbon. I love bourbon more than I love a lot of people, but it’s not exactly refreshing or thirst-quenching. And the rich, caramel overtones in truth blend well with very few edible things. No, when I talk about bourbon pairings I’m going to be talking about experiences, media, and non-edible concepts that are great in and of themselves, but pushed along to splendor with a nice glass of Kentucky’s finest.

Today I want to talk about a television show that goes so well with bourbon, partially because it’s so often consumed by the characters of the show. That show is Mad Men. Now, 99.99999999999% of TV makes me wish the robots would finally rise up and destroy the puny humans, but every now and then something worthwhile gets by. Upon seeing ads for a show on AMC of all places about advertising guys in the fifties, I was certain that this would not be one of those worthwhile times. Hokey jokes about “Hey, back then people sure did act different!” and some weird deification of the world’s most disgusting business.

Well I was wronger than a Klansman in Bed-Stuy. While the first couple of shows did have some snickery, “Boy, wouldn’t it be great if we had a machine that could copy papers for us?” moments and the constant smoking seems to overdrive the point home, quickly something far more subtle comes through. The show, in truth, is actually about the societal change this country went through in the mid-twentieth century and, more importantly, how that affected different people.

The show covers all sorts of people, from executives to housewives to children to the nearly-invisible black help . . .and each person reacts to and is affected by these changes differently. Some fear it, as it represents the end of their control; some fear it because it gives them control and they don’t know what to do with it.

Both the writing and the performances are pretty goddam sublime. January Jones turns what could be a typical frustrated housewife into a vibrant, discordant ball of petulance and neuroses. Jon Hamm, handsome guy extraordinaire, plays Don Draper so perfectly that every revelation both fits and shocks. Anyway, there’s countless places to read up on what makes Mad Men so damn good, so I won’t belabor the point.

What I really want to talk about is that it’s a damn fine show along with which to drink. The characters drink pretty freely, at home, at bars, and at work (oh, how I wish . . .) and they drink well. Lots of bourbons and ryes consumed throughout an episode. But here’s the catch, folks. Don’t drink in your ratty old t-shirt with that band you don’t even like anymore on it. Dress the part. In Don Draper’s world, men and women dress well, all the goddam time. At the very least, have a pressed shirt unbuttoned with a loosened tie. You’ll feel better. Ladies, put on a dress. Match your underwear. Make your drink an occasion of awesomeness.

But if any of you assholes want to make a drinking game out of it, I will personally crawl through your internet tubes and shit on something you love. Drinking isn’t a game! Drinking is an art, it’s a life, and it’s a pleasure. You heard me! Don’t fuck around.

So, I hope you enjoy this bourbon pairing. Mad Men Season 1 is available on DVD and season two probably will be soon. Make a party of it and live it up. Enjoy a drink, enjoy a cigarette, enjoy your friends, enjoy the show, and enjoy living in a world that can completely remake itself when necessary.

Mostly the drink.

pictures again stolen, I almost feel bad, but these dudes are awesome
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Wednesday, February 25, 2009

The Masked Drinker's Guide to Gay Bars (For Straight Dudes)



So I was at Fashion Week last, uh, week, surrounded by bizarre examples of genetic perfection, free wine, and toilets whose seats never stand. I spent some time trying to get the designers of Original Penguin to release a nice line of comfortable-yet-stylish masks, but they just don’t yet see the market for it. Anyway, this is all just to say that it made me feel now was a good time to write up why gay bars are basic places of superfun.

My first experience with a gay bar wasn’t really my best. However, it was a bar in West Virginia, and that state and the word “best” never go hand-in-hand. See, my high school buddies and I found out that there was a gay bar in the town near where we grew up and we were overcome with curiosity. It was what you’d expect in an Appalachian gay bar: dudes whose only idea of gay culture is what they’ve seen in bad comedies and ladies who could kill every one of us without even loosening their large-custom-buckled belts. The music was loud and bad, and we were too young to get served. The best part was a redneck football player we had grown up with running up to my friend and proclaiming, “I always knew you were, too!”

Anyway, that’s not the usual scene from what I can tell. Gay bars, maybe especially if you’re straight, are just fun, relaxing places to be. Even some fairly open-minded guys are a little freaked out by the idea that “OH SHIT I AM GOING TO BE HIT ON!” Listen, in New York, at least, gay dudes are hell of picky. If you DO get hit on (which probably won’t happen), then consider it a pretty awesome compliment. If you can make it in the NYC gay scene, you are one hot fellow. (Unless you’re at a chubby chaser bar, but whatever, you probably aren’t.)

Gay bars—and I stress bars here, not clubs—usually have decent selections, prices, and specials. The happy hour at my favorite gay bar, Nowhere, is two for one domestics and well drinks for, like, four or five hours. That’s fucking crazy! A man can get much loaded on Yuenglings and whiskeys while hardly spending anything.

Gay bars are actually pretty amazing for dates, too. Bring a girl to a gay bar and you know no asshole’s gonna try to hit on her while you’re peeing. And, at gay bars I’ve patronized at least, straight couples are almost as cute and exotic as puppies playing with tiger cubs. That’s pretty fucking exotic and cute. Also, there’s usually a juke or DJ with danceable music, and after a few cheap rounds you are so on that, admit it.

Lesbian bars are a bit trickier. First off, if it’s a really anti-male lesbian bar, don’t be an idiot; just don’t go. But most lesbian bars are just bars that happen to be run for and by lesbians. Whenever I’ve found myself in one, I act like I always act in a bar not really meant for me. Just stay friendly, and don’t hit on anyone. And don’t hit on anyone by not hitting on them, either. Girls are totally onto that trick, guys. It’s just that straight girls sometimes pretend it works because it’s easier that way.

I don’t know if I have any gay readers yet, but I just realized that if I do, this is probably the lamest article they’ve ever read. So here’s a picture of Clive Owen as a measure of apology to you, my theoretical gay reader.


Anyway, not all gay bars are alike, obviously. But I’ve never been to one that wasn’t a fun time. I’ve never been forced to dance ala Police Academy. The bartenders are sometimes happy to hear about girl-dating problems to remind them of some of the reasons it’s awesome to be gay. This is, at least, what I’m telling myself whilst I bemoan my latest girltragedy.

So try it out. I recommend, as I said, Nowhere on 14th between 2nd and 1st Avenues. Good juke, pool table, nice seating, fun environment. But please don’t go all at once. Then you’ll ruin it. I know my audience is comprised of ruiners. RUINERS.

pictures stolen from the internet, as he so often does, by the Masked Drinker




dude how hot is Clive Owen? It's ridiculous.

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Wednesday, February 18, 2009

The Masked Drinker's Guide to Etiquette and Protocol


So far my Masked Drinker’s Guides have been pretty situation-specific. But I get asked fairly often about very general issues dealing with drinking. It’s kind of surprising and amazing what some people don’t know. However, I have to remind myself that not everyone is a seasoned, well-worn barhound. Some people go to bars pretty rarely and are therefore unaware of some standard practices that seem obvious to a guy like me. So I’m going to try to address these general issues for the inexperienced drinker in this column; topics like tipping, buybacks, flirting with the patrons or staff, etc.

First off, tipping. The basic rule is: tip, you fucking asshole. Bartenders make an extremely low wage, and, like all of America’s service industry rely on tips to actually live. So they’re busting their butt to get you that sweet sweet booze that makes the sad go away. So tip. Bare minimum is a dollar a drink. But here’s the thing; some drinks are more work-involved than others. If you’re asking for a martini or a cosmo or anything that involves shakeage, it’s courteous to leave something more. I tend to leave two dollars for my first drink, and alternate between two and one for most of the night. Never tip with coins, it’s a pain in everyone’s ass. And if you think your tender is doing a substandard job, tip anyway. Just tip a dollar. Everyone has an off day, but if you shirk on a tip you can guarantee you’re persona non grata in every bar that tender knows. That’s just assy.

Another big topic people ask about is that of buybacks. In case you don’t know, a buyback is a drink the bartender buys for you, usually after three or four that you’ve paid and tipped for. It’s a personal thing on the number, and some bars don’t even allow it. So, for Pete’s sake, don’t ask the bartender about it. That’s basically heck of gauche. It either happens or it doesn’t. And when it happens it’s a magical, wonderful time full of rainbows and superpowers. Appreciate it. And always tip for it; I tend to tip extra for a buyback. Not the full price of the drink, obviously, but two or three bucks is a nice way to show your tender that you appreciate them. And the buybacks will come more often if you do so.

“Hey, is that bartender hitting on me?” If it’s a male bartender, maybe. Remember, it is his job to talk to you, in a way. But it certainly happens. If it’s a female bartender, the answer is almost always no. So don’t hit on them. They’re at work, they hear it all the time and they don’t want to deal with your drinking ass hitting on their sober ass. Be friendly, respectful, joke around, but don’t hit on them. If they’re interested, they’ll let you know when they’re off shift. But they aren’t. Trust me. And guys, as Ms. Weiner’s article shows you, be careful about hitting on patrons, as well. I already went over how to meet girls at bars, but let me reiterate that going up to random girls in bars is very rarely a good idea. Make sure you have your signals straight if you think she wants you to, and be ready to immediately and politely retreat at the first sign of resistance. Better for everyone that way.

I know there’s a lot of debate about bringing babies and children to bars. My parents had a favorite bar that I was in a lot as a kid, but it was a bar-restaurant (with the best fried shrimp EVAR). That’s a big part of how I feel about it. If there’s food there, sure, bring your kid. If the place doesn’t serve food, leave the rugrat with a sitter. Babies under two get special exemption as long as they are not loud asshole babies. But once the little critters start becoming mobile, please leave them out of my bar. I know they drive you nuts and you need a drink; trust me, I know. But they drive us nuts too, and we didn’t choose to bring them into this world. I’m sometimes willing to make an exception if the kid is cute enough, shuts the fuck up enough, and basically sits there with their Shirley Temple/Roy Rogers/inappropriate whiskey drink and lets me forget they’re there. But that happens about as rarely as the Colonel not having an anecdote so just forget it.

I feel like those are the main topics I most often get asked about. Readers, if there are any other questions you’d like answered, respond to this post or email me at themaskeddrinker at gmail dot com. I look forward to hearing from you maybe.

retarded, spent way too much time on it photoshop by the Masked Drinker
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Friday, February 13, 2009

The Brown Derby Tasting



One of our more enjoyable tasks at the HCAR offices is cocktail tasting and testing. Recently, to bring a new life to the exploration we were sent a tattered copy of Patrick Gavin Duffy's The Standard Bartender's Guide by our sponsor and superior, Colonel J.R. Harmon. The drinks within hearken back to days when Galliano flowed the streets like gold, and requesting a Wild Turkey Mist with a Twist, would not yank forth looks of disdain from your bartender.

This week’s tasting was a small affair, and we decided to venture towards an area of drinking that not many of us were familiar with: Rum.

The Brown Derby.


Editor's Note: This drink is not actually in the book I loaned the young folks that staff this blog. I was deep in the midst of a conversation with the charming young Rachel whereupon she mentioned a time in which she drank a Brown Derby. I confirmed with her that it was, indeed, this drink, and it brought me back to another time. This drink was named after the famous Los Angeles location. I spent a few years in that torrid, horrid town doctoring movieplays, consulting with fat producers, and drinking whenever possible in order to rid myself of the awful malaise found everywhere in Hollywood. I was introduced to this drink by a young starlet who decency and history dare me not to name. I have always enjoyed it, and think fondly of her whenever I drink it. Here's to you, my dear, to all our failings and our triumphs. -- Colonel J.R. Harmon, Ret.

Tasting Roster:
The Masked Drinker
Ladyboy
Rachel
Sara
and
Faux-Bee June (your author)

Guests:
The Pet
Fräulein N

It should be noted that there is another cocktail that goes by the name of “The Brown Derby.” This is not that cocktail. This is this cocktail:

Two Ounces Dark Run
One Ounce Lime Juice
One Teaspoon Maple Syrup

As usual, we mixed a small number of cocktails and divvied them up into smaller rocks glasses for the tasting.

For the first time in an HCAR tasting, every single person agreed whole-heartedly that the drink in question was quite enjoyable, and would likely be enjoyed again and again. Among the characteristics that were unanimously agreed on: The smooth finish, and light (not overpowering) rum flavor. Three of (us, myself, the Masked Drinker and Fräulein N) ventured into the tasting with a bit of hesitation about sipping a rum based cocktail. We were all pleasantly surprised that the rum really did not impose itself, nor did it leave the syrupy aftertaste we dreaded, in fact the MD thought the rum added an agreeable “heartiness” .

Rachel noted that the lime and maple syrup complimented each other. Ladyboy agreed that “the maple and lime are alternately dominant.” Sara noted that it was “sweet, but not too sweet.” The Pet and I were equally charmed by the maple syrup aftertaste which was, once again, not too overpowering, and not at all (shockingly) “syrupy.”

We all agreed that the drink was likely to be enjoyed by a wide variety of drinkers, even those not normally given to ordering cocktails. Ladyboy felt that it is not a drink that “requires a particular drinking style or encourages specific associations,” and Sara said that “It’s a cocktail for someone who doesn’t normally order cocktails,” although it was widely accepted that a few would suffice, and the drink might not stand up as the only drink of the night, if one were in it for the long haul.

The tasters mentioned in equal numbers that The Brown Derby could be enjoyed in the summer, on the beach with a funny little umbrella in it, and in the winter, cozied up in front of a nice wood burning fire place with one of those zigzag afghans that your great aunt crotched.

The range of ideas for improvement ran from “my glass would be bigger” (Sara, echoed by the Pet) to the idea of a pork garnish, by the Masked Drinker. (His interest in savory garnishes might not have anything to do with the fact that he recently reported on the Bacon and Bourbon Expo.) I couldn’t come up with a bit more than a sprig of mint for improvement, although Fräulein N’s suggestion of a splash of soda water sounded like it might cut the sweetness just that much more to appease my palate. She also mentioned that she would like to try it with maple sugar instead of maple syrup, which was suggested in the recipe, although the syrup texture pleased her as well. On the maple angle, Rachel admitted that she had previously enjoyed the recipe “kick[ed] up at least 10 notches” with the use of “a special high grade maple syrup that was aged in bourbon barrels” which (while the HCAR offices don’t currently stock it) just might make the shopping list.

Ladyboy was interested in seeing if it would work as a warm cocktail, but we dissolved into round two before testing the hypothesis.

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Wednesday, February 11, 2009

The Masked Drinker's Guide to the Astor Center Bourbon and Bacon Expo

Ladies and gentlemen, this past week I enjoyed a little slice of paradise. As if by astral projection, I found myself in a place beyond the pleasures of we mortal ken. Valhalla, the Elysian Fields, Heaven, Nirvana (yes, I know that one doesn’t really fit, shut up you pedant)--they all have a new companion, a new equivalent: the Bacon and Bourbon Expo at Astor Center in Manhattan.

I signed up for the Center’s mailing list years ago and consequently, as I have with all other things I sign up for, ignored everything they sent me. That is until last month when I saw those two magical, lovely words in a subject heading. Either one would have given me pause. But both? Holy fucking shit. I was in.

As I strolled up to the event, there was a line out the door. In a moment of panic I nearly began pummeling those more timely attendees ahead of me, but then I noticed the line was moving at a brisk pace. I didn’t really know what to expect, and I had tried to keep my hopes reasonable. I needn’t have, because the night was better than my meager mind could have imagined.

I walked around in awe, the smell of bacon thick in the air like an aphrodisiac for my mouth. Many brands of whiskeys and bourbons had stations set up for tastings. It was about at this moment that I ran into fellow staffer Ladyboy. Nearly overwhelmed by the surroundings and sensations, we banded together as a Two Man Team of Awesome. We first went to the table staffed by some folks from New York’s most famous secret cocktail-and-hot-dog speakeasy, PDT. They had previously infused some bottles of Four Roses bourbon with bacon and were pouring samples of a Bacon Old Fashioned. Maple syrup subbed in for sweet vermouth and it was pretty fucking delicious. We agreed it was a perfect way to start the evening.

Just then two plates of bacon passed by and we pounced upon them like hungry lions on the African plain. The first was a simple applewood from D’artangan with a nice sweetness laced in with the familiar savory base. Ladyboy scoffed a bit at the next offering, an uncured wild boar bacon. Our smirks ended as soon as those lovely bits of fried boar fat crossed our tongues. The fat in the bacon was smoother and creamier than any bacon I’ve ever had, and yet gave no lingering feeling of greasy regret.

We switched back to bourbon at this point and decided to start at what we figured was the bottom of the ladder. Wild Turkey isn’t a brand that you hear about much once you’re out of school. Once you can afford a bourbon that a) tastes nice, b) doesn’t punch your tongue with hate, and c) still is quite potent, you kind of leave Turkey aside for desperate times, like airport bars with no other choice. Well, the brand had brought their more upscale products and who am I to turn down free bourbon? We started, as recommended, with the American Spirit. A step up from old 101 (“Kickin’ chicken,” as we called in back in Kentucky, “it’ll put your dick in the dirt.”), it still had a strong, bitter start and the familiar sweeter tones of bourbon never dropped by. To me, it seemed more like a straight whiskey than a bourbon. Next we sampled the Rare Breed. This was definitely a step up, with that sweetness finally showing through yet still quite strong. We decided to wait to sample the American Honey, which the friendly rep described as a “dessert drink.”

Whiskey palettes sufficiently aroused (is Wild Turkey the fluffer of the nice bourbon tasting world?), we moved on to the Tuthilltown Spirits table. The charming rep at this table did little, unfortunately, to alleviate my natural suspicion of bourbons not made in Kentucky. People, my home state has very little over which it can be proud. Has there ever been a sports highlight reel without that goddam last minute shot Christian Laetner made at the NCAA finals? Basically we have the Derby and we have bourbon. So forgive me if I seem a bit proprietary here. Anyway, we started with the corn whiskey which is sweet and basically exactly what you’d expect: a commercial, nicer moonshine. Ladyboy remarked that it smelled more like tequila and he’s not off-base. Shine’s a purer whiskey, clear an without oak or caramel character. Their Baby Bourbon was next and you’ll forgive me for describing it as immature. It had the characteristic tastes of bourbon, but they weren’t rounded or fully formed. This was probably my least favorite bourbon of the night. Their Four Grain Bourbon was a marked improvement, but one I still eye with xenophobic caution.

I must interject with something amazing I heard at this point in the evening. A middle-aged couple in front of us at the Tuthilltown stand conversed with the rep. At one point the woman said, “Yes, we attend ALL the rum events.” How many rum events are there? Are they nautical by nature? We from the World of Whiskey are frightened and weary of these Rum Folk. Have we any rum people in our readership here? Perhaps we can learn from each other and forestall the imminent Booze Wars.

Actually, the crowd at this event was pretty weird. It was a definite odd mix of people. There were two or three groups of pressed-shirt middle-aged douchebags. You know the guys, they chew on cigars in public and learn about scotch so they can talk about scotch with other douchebags who learned about scotch to talk about scotch. They had a decent showing. Then there was the segment that looked more like the audience for a Weezer concert. I suppose it shouldn’t surprise me that nerdy white guys and their Asian girlfriends can find common ground in booze and pork-based products, but it took some getting used-to.

At this point, a talk was about to begin in the classroom. We moseyed on over and stood in the back. A few more bacons were passed around including a Hickory smoked number Ladyboy described as “hamtastic” for its sweet, glazed-ham flavor. A poem was read, the real meaning of “uncured” was revealed. (Apparently if it’s marked “uncured” bacon is still cured; but the government only recognizes select, very artificial methods of doing so. “Un”cured bacon is cured, but in a more natural, better way.) Pitmaster Scott Smith of R.U.B. in Chelsea talked about how he cures his own pork belly slabs and makes a deep fried bacon appetizer out of it. While that slab was beautiful and the appetizer sounded amazing, most of my attention was focused on the thick-cut wonder pictured here in full Captain-Kirk-looks-at-a-hot-alien fuzziness. That and the Evan Williams single barrel being passed around . . .who knew Evan Williams made something good?

As some woman in the audience then started to argue with the host about the proper pan to fry bacon in, Ladyboy and I escaped the room to sample more whiskeys. I made a beeline for the Buffalo Trace table. They make my absolute favorite bourbon, George T. Stagg. And while they didn’t have it that night (hell, it’s hard to find in the best liquor stores in New York, so limited is the batch), I had been wanting to try their other offerings. The actual Buffalo Trace bourbon was very tasty, probably the best straight bourbon I had all night. The vanilla undertones complimented rather than contrasted the sharpness from the high alcohol content. It really was like Stagg’s younger brother. The Eagle Reserve, however, was a bit disappointing. It fell flat . . .it’s definitely a nice bourbon, but I should perhaps have tried it before the Trace.

Our last table of whiskeys for the night were actually not bourbons at all. Frankly, I’d avoided it all night but was now at the point where I was brave enough to try. See, I can recognize other good whiskeys. I’ve had a scotch or two I could tell was just fantastic. But I didn’t like it. I’ve had so much bourbon for so long that other whiskeys just taste . . .off to me. So close and yet not quite there. But, hey, what the hell. I’d recently found a mixed drink involving Rittenhouse so how bad could their table be?

We first tried a real oddity, the Bernheim Wheat Whiskey. This was a weird whiskey, let me tell you. I’m sure it has its fans, but it is not for me. There was a slight licorice flavor to the finish that really troubled me. Not my favorite flavor profile, that. So it was with no small amount of dread that I continued on to the Rittenhouse Rye. My dread faded as soon as it hit my tongue. This was a good whiskey. Ladyboy and I agreed there was a flavor we couldn’t place. “It’s definitely in my spice rack,” he said. Despite the mysterious flavor, we both enjoyed it quite a bit. It officially became the first non-bourbon whiskey I’ve ever liked enough to want more. Luckily, they also had their 23-Year aged rye. Whereas 23-year-old humans more often than not are simple, undeveloped, and annoying, apparently their rye equivalents are wise old masters, the sort that might teach Kwai Chang Caine how to walk on paper without wrinkling it. The flavor was complex with at least three layers, each quite delicious. The small sample we had wasn’t enough to quite discern each one, but I look forward to trying later on.

After the event ended, Ladyboy and I ended up going back to the office to get some reports and filing done. Well, and to have a couple of wind-down beers as well. Rachel was there, having been polishing up a Wine profile, and as we excitedly described our night to her it became clear just how magical the evening was. Bourbon and bacon are two things we sometimes take for granted; I mean, they’re almost always good enough. But when they’re great, a sublime enlightenment occurs. Bacon may have originated elsewhere and bourbon may just be adapted from Scots-Irish whiskeys but there was something beautifully American that night. The sort of America known not for supporting third-world despots, but for being where Batman, Snake-Eyes, and the A-Team can team up to help out a school besieged by zombies; later on, they have pancakes.

God bless America.

photos by the Masked Drinker
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Thursday, February 5, 2009

One of our own spreads his fame

The masked one is too shy to brag, it would seem, but he has been interviewed and profiled at another place of good readings on this internet machine. Read it and know his secrets, lest he sneak up and attack. That is called intelligence.

Yours truly,

The Colonel Read more...

Wednesday, February 4, 2009

The Masked Drinker's Guide to Drinking in Bars in Which You Do Not Belong

Recently I've found great delight in a sub-genre of the drinking life. I've always enjoyed finding and walking into a random bar I've never seen. It's not always the greatest bar ever, but you're guaranteed at least one decent story, even if it ends, like every story from my high school years did, with the phrase, "and then we ran away."

Little did I know the thrill of taking this just one step further: bars in which you simply do not belong. You know them . . .you walk in and it is as if a needle scratches off a record. All eyes on you like a stranger in some old west saloon.

Now I don't mind saying, my first few times doing this, it scared the masked crap out of me. But after a few successes, I realized how much fun it was—I guess it's as close to my weak-stomached self can get to enjoying a roller coaster.

The reasons behind my out-of-placeness varies, but generally it is because I am "other." Other nationality, other race, other culture, other orientation, other gender, other age . . .you get the point. Like on the Electric Company, one of these things is not like the other.
Whether it's been an old mafia bar in Williamsburg, a Mexican salsa dive in Bushwick, a lesbian bar in the east village, or an old man speakeasy in Appalachia or anything else out there, the same method of becoming accepted has worked every time. So this week's Masked Drinker's guide is How to Go to Bars in Which You Do Not Belong.

Step one: walk straight to the bar. I won't lie—with every eye on you you're going to want to turn tail. Don't. Walk straight to the bar and sit down. Don't go to a table, no one wants to waitress for your alien ass.

Step two: order quickly and decisively. As to what you should order, look at the folks around you. Get the beer they're drinking. I don't give a shit if you hate Bud or Corona or whatever, get it anyway. You do not want to be the asshole asking for a goddam microbrew beer.
Step two-point-five: order a shot with your beer. No purple nurples or kamikazee's or other mixed drink shots. Make it easy on the bartender. Whiskey, tequila, vodka. Ordering a shot straight off shows you mean business. Real drinkers will take note, and you're one step closer to acceptance. If you want to go full bore, down the shot and order a second for sipping.

Step three: tip immediately. This might not be commonplace at the bar, but either way you let your tender know you're taking care of him/her. Don't overtip, though. No one wants a show off. A buck or two per drink is perfect.

Step four: listen. What's the tenor of the conversations going on? Baseball debate? Work woes? Raunchy jokes? Pay attention without being a creepy eavesdropper. Get the mood of the joint and basic personalities of the inhabitants.

Step five: talk. Throw something into the conversation if possible and appropriate. Crack a joke about something on the TV or juke. Whatever you do, just make sure it's funny and slightly self-deprecating. Establishes you as a fun person who isn't stuck up their own ass.

Step six: do not force it. Try joining in or talking no more than twice per visit. Sometimes the natives take longer to warm up than others, but the last thing you want to be is the annoying pest that keeps bugging everyone. Just wait and try again next time. I've never had to do this more than three times, and usually one will do.

Step seven: regardless of your reception, stay a while. Get at least two more rounds. If you've struck up a conversation with someone, buy them a round. This might seem like base bribery, but, hey, if it works . . .

Step eight: come back. Let them see you're not just a one-shot drinker who walked into the wrong place and acted like it wasn't a mistake (honestly, that's how this all got started). Come back within the next week and repeat the previous steps. Hopefully you'll see some of the same patrons or staff members. You're well on your way. Note, though, that you should be doing this alone. Bars in which you do not belong might accept you, but they don't want to feel like you and your asshole friends are going to take over. Once you're accepted, you can bring a friend or two over from time to time, but don't lead off with that.

There you have it, folks. Eight simple steps to making yourself at home in a bar where you're supposedly out-of-place. In today's increasingly tribal times, it's good to break through these barriers and get drunk with people who don't look or act just like you. Somebody get me the Nobel Peace Prize for Drinking now. I want it.

photos taken from internet
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Friday, January 30, 2009

Derby Fizz Tasting

One of our more enjoyable tasks at the HCAR offices is cocktail tasting and testing. In the past this research has ranged from our house bartender’s own maple syrup spiked infusions, to rounds of Purple Titty Twisters, a demand often made while perusing the “shots” section of a fairly updated Mr. Boston’s Bartender’s Guide.

To bring a new life to the exploration, however, we were sent a tattered copy of Patrick Gavin Duffy's The Standard Bartender's Guide by our sponsor and superior, Colonel J.R. Harmon. The drinks within hearken back to days when Galliano flowed the streets like gold, and requesting a Wild Turkey Mist with a Twist, would not yank forth looks of disdain from your bartender. This is the inaugural article in a feature series recording our pursuits.

This week I had the pleasure of serving as bartender as we encountered the cocktails that contain, not just the egg white, but the whole egg.

RECIPE



1 1/2 ounces scotch whiskey
1 teaspoon lemon juice
1 teaspoon sugar
1 whole egg
3 dashes curaçao or grenadine
3 or 4 ice cubes
Club soda

Tasting Roster:
The Masked Drinker
Ladyboy
and
Faux-Bee June (your author)

Guests:
Double B
Angel Tit
The Beej
Juicy
Mega

Two drinks were mixed, but they were served in 8 2oz. rock glasses so that each taster could have their own experience. In the interest of transparency, it should be noted that the soda water was splashed over the top of each rocks glass.

As sumptuous as the actual drink looked, (cream colored and foamy, described by Mega as a “latte foam with a scotch flavor”) it indeed fell flat, as a number of tasters had suggested it might. In a word, repeated over and over, it was bland. A number of us felt that we would only drink this in a decade preceding the Second World War, or, more often, to be polite (although Mega, again, committed that she would drink it if it fell on someone else’s tab).

The Masked Drinker, who was most taken by the drink according to response from the group, said that it showed hints of vanilla and was “airy, almost marshmallowian [which is, of course, not a real word].” He did, however, mention that he was most likely to drink it while trying to impress someone, and that it would likely be improved by more whiskey, which reverberated well through the crowd, as no one felt like there was enough alcohol to classify it as an actual cocktail. (The Original Juicy thought that it would be best situated on the non-alcoholic section of a fancy cocktail menu).

The general blandness of the drink left everyone suggesting that it be more flavored, but agreement was scattered. While the MD and Juicy argued for more alcohol, Ladyboy thought something could be done to enhance the already existing vanilla taste by adding the similar and cutting down on the lemon. The Beej agreed that there should be “something with a little more zest”, while Double B and I suggested more sugar or cointreau. (Angel Tit had to admit that she disliked the drink so much, that she didn’t know where to begin improving it, but that under certain desperate situations, she could be tempted to drink anything. Even theDerby Fizz).

For my own part, I felt that the musty taste it brought forth was quite a bit off putting. I, as I mentioned, argued for more cointreau or sugar, which says a lot, because I categorically dislike drinks that have even the mildest hint of simple syrup sweet. As the bartender charged with making this drink as a one-off, one-try deal, I must say that I probably over served the soda water, which was added to each serving individually, and undoubtedly was far too much to allow the more subtle tastes to shine through, should they have had the power.

As a team, we hope that tasting off the beaten path cocktails helps us narrow down our palates, and perhaps, one day, try a cocktail that actually tastes good. In the meantime, this exercise offers a wonderful training experience for the HCAR office bartenders, and, as a good drinking experience should, a friendly atmosphere and lively discussion.

A toast to you all.
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Wednesday, January 28, 2009

The Masked Drinker's Guide to Drinking Alone

Few things in life have more potential for enjoyment than going out and having a few with your friends. Conversations blossom into epic riffs, wonderful stories, and fart jokes of majestic quality. But if you’re anything like me (and if you are, HIGH FIVE YOU RULE) then from time to time you want to be more or less alone. More or less in that, while sometimes you just want to be totally isolated in your apartment watching a M*A*S*H marathon for 14 hours straight (just, you know, for example), other times you want to get out of the apartment, be around people, but not with people.

And that’s where the beauty of drinking alone comes in. See, drinking alone needn’t be some bullshit Hollywood cliché of an unkempt man, down on his luck, sobbing into a dirty tumbler, all wrinkled faded suit, all tie with a stain on it, all remembering on what his ex-wife done to him. It can actually be a beautiful, chill way to spend an hour or eight. So here are some tips for you to read, enjoy, memorize, quote until they become tired, be ashamed of for a while, but then come to enjoy again at a later time.

Nerd Out! “Alone time” even when it’s in public, is often a time to indulge in your geekier, solitary pursuits. Drinking alone is a great time to catch up on some reading. This can be anything from finishing that damn trashy novel you just can’t put down (you know, the one with the mustachioed fellow with a large gun, and the cleavage-bearer holding onto his leg) to muddling your way through some sort of boring but necessary reading assignment (if you have to read something lame, at least you get to drink). Of course, some novels work better than others with booze. A nice glass of whisky makes Chandler even more hardboiled, but I wouldn’t suggest 5 Harvey Wallbangers while trying to get through Ulysses.

I’ve also found that a beer and a crossword puzzle can be a fine way to relax while not totally abandoning your cerebral cortex. Sure, maybe the old guy with the Bud in the corner might look at you askance but two words, fifteen letters for rolling with Will Shortz is “FUCKINGPARTYING” and don’t you forget it.

I like to write when drinking alone, too. You definitely have to walk a careful line, lest your handwriting turn to hieroglyphic and your content turn to “ha ha ha fart that is cool,” but it’s a good way to reward creative work done. “Hey, I finished an article for the blog, I get to finish my beer now, too!” Other creative pursuits might similarly benefit; I know after acquiring that perfect buzz, I find way more things to photograph. It just seems to flow more naturally.

Another good tip is almost cheating. Be friendly with bartenders. If you’re drinking alone and you know the bartender, you can get your alone time as you need it and chat him or her up when you feel like it. This, unless you’re some freak with the social skills of a five year old asshole (you know you’ve met or at least seen one, fucking whining about how he didn’t get the retarded piece of crap he wanted), will a) help you get in good with the bartender (never a bad thing) and b) maybe make you a new friend (shockingly hard in this city sometimes). So drink alone, but feel free to make friends while you do it.

Drinking alone can be used for reconnaissance as well. Maybe you’re wanting to have a party or a date (“Why You Don’t Bring Dates to Your Bar” is an article forthcoming from your truly here I BET YOU CANNOT WAIT TO FIND OUT THE SECRET REASONS WHY!) and you want to try somewhere new, but don’t necessarily want to walk in cold and have the place turn out to be a real shitshow. You should note that this is more fun if you refer to yourself by a code-name, write in a cipher, and wear fatigues or some sort of black ops outfit. Now’s the time to break out those night-vision goggles that uncle you used to think was cool but now scares you bought you for Christmas!

Drinking alone gets a bad rep sometimes, but if you think about it, it’s just the lame-os saying that. You know, the people that made toy guns become neon colored; the ones that don’t like it when you make gentle love to their furniture; the ones that go by their full name even when “Jimbo” is totally fun to say. Those guys can go fuck themselves. Treat yourself to a nice time and as my great-great-great-great-great grandfather the Lone Drinker always said, “Hi Ho Silver, another round!”

photo by the Masked Drinker
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Tuesday, January 6, 2009

The Masked Drinker's Guide to Meeting Girls

When telling bar stories, there’s one question that I get more often than most any other, from both seasoned drinkers and teetotalers. I guess it’s a basic question and all but it was embarrassing and annoying the first time I heard it, and it doesn’t get any better from there. So I’m going to try to put it to rest for good, like when my dog went blind and kept bumping into shit.

The question being, “How do you meet girls in bars?”

Now, a little background is needed here. Now, this might shock you, but I have never once been voted People Magazine’s Sexiest Man Alive. Hell, I wasn’t even nominated! In fact, I barely made the top 100 Sexiest Humans Around list for the Dragon Magazine’s list two years ago. I’ll put it this way: I’m out of shape, I often reek of alcohol, and I have hair on my back. It’s the sort of combination that young women tease each other about one day dating (and sadly, often end up doing so).

So it’s not like I walk around and shoot sex pheromones at every girl I see, waiting for them to fall on my crotch. But, by all accounts, I do OK. I date fairly frequently, tend not to have awful dry spells, and I even do meet girls in bars occasionally. So people that know me are reasonably surprised by this, so they tend to talk about it. Other, more tangential associates (read: other barflies) get wind of it and want to know “my secret.”

Well, it’s no secret, really. I haven’t perfected some insane manipulation scheme involving “conversation starters” and generally being the biggest douche in town. So you might understand my frustration when people take me for some sort of womanizing mastermind. I mean I guess there
's always some guy that thinks that there's some system to break, and THAT must be why he can't get a date. It's never his fault for not being charming enough or for having constant eye boogers or the poor girl just isn't interested. It's just because he never cracked the system. And the guys that think they have, simply have discovered that people with low self-esteem want attention, even from creeps.

So, here's the big plan, the big secret: don't go to bars to meet girls. Seriously, don't do it. It's lamer than a horse that's about to be shot. Now, I'm not admonishing you about the "low character" or some noxious bullshit about women you might meet there. You meet the same kind of girls in a bar that you would anywhere else, except it's just a bit more likely they enjoy a good drink as well. The emphasis is don't go to bars in order to meet women. Go to bars to have fun. Go with friends, go by yourself, but either way, go to have fun. Enjoyment of booze and friendly company are the only legitimate reasons to go to a bar (unless your tv's on the fritz and the game is on [or Project Runway's season finale for that matter]). If meeting girls is your motivation, guess what! You're going to fuck it up.

You'll either try some terrible line or nervously try making conversation, and the whole thing will be painfully obvious to everyone involved. And nobody wants that kind of bullshit going round. I have never, in my life, met a girl when the night started with that as my intention. I won't say this lesson was quick or easy to learn, but hopefully I can save you folks some pain.

"Oh, but Masked Drinker, how will I ever meet a girl then? And didn't you say that you've met girls in bars?"

Shut up, hypothetical reader, and let me continue to explain. I was saying that you should go out to a bar with your friends to have fun. Over time, I've realized that a man is never more attractive than when he's happy and joking with his pals (of any gender). If you want to attract women, be attractive to them. Hungry vultures and practiced bullshitters are not attractive to anyone you actually want to meet. But a charming, content guy with nary a care in the world? That's what you should aim for, really. And even if you don't end up accidentally attracting some girl, who the hell cares? You're having fun anyway talking about He-Man or Pete Rose or particle physics or Global knives or whatever else it is you might want to talk about.

Now, I'm not sure how this works for lesbians or gay guys, but I will say I've never been to a gay bar that wasn't basically the funnest place in the world. So hopefully that works out, too.

Anyway, the point is: drink up and have fun. That's all that matters in the end.



retarded photoshop by the Masked Drinker
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