Showing posts with label park slope. Show all posts
Showing posts with label park slope. Show all posts

Tuesday, July 26, 2011

Mono-Lagering: The Bell House

Welcome, ladies and gentlemen, to a very special Mono-Lagering. Don't worry, it's not the "very special" sort of thing that means one of the less popular comedy characters gets molested or something and then we all feel weird for the rest of the half-hour. This is just one that I've been looking forward to for quite some time. The Bell House is a bar I've visited many times, and never had anything but a great time. It's actually half-bar and half-venue, and whereas that usually means more "shitty bar and shitty venue" it's actually really great at both.

In the past I've been to Biblioball prom-like events there, seen hip-hop, seen trapeze (in case you were wondering, it still makes me feel funny like when I was 8 when girls do trapeze), and New Orleans-style jazz, which, while not really my thing, was certainly fun that night. But last week was something on a whole other level. Good friends to the blog Nicole and E Rike and I got tickets to see Chris Thile and Michael Daves play bluegrass.



We got to the venue a little early. I was already jazzed after having a bucket or so of Budweiser at Jackie's Fifth, one of my top-five favorite dives anywhere in the world. Park Slope and Gowanus is such an odd area, where it's so gentrified and nice in most of it, but the hold-outs are amazing. Anyway, if you've never been to the Bell House it's basically divided into two rooms. There's the front area which is a classic bar with nice couches, seating, and an area for small acts or DJs to perform.

We got beers . . .honestly I couldn't tell you what we got. Maybe a Victory Pilsner? It was good, whatever it was. We sat around, chatted a bit, ran into our friend John, and eventually went on in to the second room, a large performance area with a mini-bar and a full bar on opposite ends. The place was fairly packed, which is great to see for a bluegrass show. I crushed my beer and got a giant can of Tecate. That much I definitely remember.

And then the boys took the stage. No openers, no need. Just two goddam virtuosos with their mandolin and guitar.

Bluegrass and I go a long ways back. I have a pretty rough relationship with where I grew up. I do love my friends and family, and I appreciate that it made me who I am today, for better or worse. But I don't fucking like it. I never liked it. I got out as soon as I could and I have not for a second looked back. There is little and less that I do like about Appalachia or Kentucky. Obviously I love bourbon. But, boy oh boy, do I love that high and lonesome sound, those string bands, that bluegrass.

Bluegrass, to give the most ridiculously abbreviated history possible, is what happened when poor Appalachian whites heard/hung out with old time black string bands. African-descended instruments like the banjo paired up with fiddles and guitars and all the sudden someone said, "Yup." Traditionally, it's only string instruments, though harmonicas are welcome. Modern bluegrass often frees itself from such strict fetters with drums, some amps, and God knows what else. It works sometimes. But that's never what I think of. As a Wise Master Mason once told me, "If it isn't one mic with a bunch of guys standing around it waiting for their solos, it isn't bluegrass."

I always liked it, but what really awakened my love for it was the Pence family. They were my first "second family," a habit I've noticed I pick up on occasion. These days I don't see them much, so my God daughters and their family, the Perezes, pick up the slack. (Before them I guess it was my ex-wife's family, the Paeks. What is it with me and the letter P? Heh, I said "pee.") There were three kids near my age, Billy, Kevin, and Molly. All three were smart, funny, creative, and spontaneous. They were exactly the sort of friends you needed in a town with so little to do. Their parents kind, loving, and also hilarious. Mr. Pence played the banjo and his boys played guitar. I went camping on a family reunion of sorts with them once--amazing weekend--and the bluegrass jams just couldn't have been better for me.

Well they all grew up super smart, super good-looking, and doing great things. But they're far away from Brooklyn, so I had to get my bluegrass fix elsewhere. Enter 9C, the subject of my next Barography. I'll talk about it more next time, but suffice to say every Sunday they had a pickup bluegrass jam that was never short of spectacular. During a rough time of transition after college, those Sundays were almost my church and center.

So anyway, wherever I've been bluegrass has not just been beautiful, entertaining music; it's been warmth and friendship and love. A year or so ago my great buddy Ben from back home came up so we could see Ralph Stanley and the Clinch Mountain Boys together. Ralph is one of the surviving founding fathers of bluegrass and it was an honor just to be in the same room with him. The venue was kind of uptight . . .the rest of the patrons seemed more "wealthy upper west siders listening to jazz" than anyone at a proper hootenanny. Well we hooted and hollered enough for the rest.

But last week, with Thile and Daves? They're no founding fathers, they're both younger than me. But these are two of the best damn musicians I have ever seen; rather, I should say, "Goddam, 'em boys could pick it!" The harmonies were perfect, the solos both beautiful and blindingly fast, and the stage presence genial, funny, and easy. I believe my female friends may have had more to say about said presence, but that's not for me to say.



Twice during the night they called out for requests, with one caveat: fiddle tunes only. That's right, a mandolin and a guitar doing fiddle solos. That's how amazing these guys are. They even improved a medley of two or three requests on the spot. There comes a time when you just say, "JESUS! WHOA NOW! THAT IS JUST TOO DAMN GOOD!"





But we drank it in like we drank the Woodford during intermission. By show's end, we were out of our mind, having water fights on the street, and stumbling towards the nearest pool table we could find.



This weekend we, and some other friends, go to the Newport Folk Festival. Among other acts, Thile and Daves will be there. But so will Earl Scruggs, my friends. That is bluegrass royalty right there. Now if I could just hear the Dillards play "Dooley" just once live . . .

The best things for this Kentucky boy, be they bourbon, bluegrass, or friends, are the things that warm you immediately, spreading through your mind and body like molten happiness. They are the things that even a self-loathing, depressed maniac cannot help but revel in, and would never think not to thank.

Thank you Mr. Monroe, Mr. Stanley, Mr. Scruggs, Mr. Flatt and company for making this great music. Thank you Mr. Thile and Mr. Daves and all your contemporaries for keeping it going. Thank you Pences great and small for giving me an extended family with dynamics I would treasure forever. Thank you Roger for opening one of the best goddam bars I've ever had the privilege to know. Thank you Ben and John and Nicole and E Rike and Eric and Conor and Tom and Anca and all friends for good times and good music. Thank you, the Bell House, good shows.

And thank you, Jesus, for bourbon.


Photos and non-youtube video by Nicole Marie Ball. She's a bluegrass newbie, forgive her for cutting off the solos. Just this once
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Thursday, May 5, 2011

Mono-Lagering: Union Hall

Given a gift of free beer coupons from 30 different bars from Brokelyn.com, Mr. Rice has decided to visit each one, and record his thoughts.

Back on the road for another Mono-Lagering--well, back on the subway, at least. My ignorance of Park Slope geography showed up again as I found out Union Hall was also ridiculously close to my friends' apartment. So this past Tuesday, I decided to drop by for a couple of drinks to relax after a stressful day of watching my students try to puzzle out the labyrinthine tricks of standardized testing. My first hint of what was to come was outside, where a placard advertized burlesque (more on that in a second) and "Adult Education: Social Anxiety."

My expectations sank deeper than the Marianas. Was that an actual class? On social anxiety? At a bar? I could imagine few worse ideas. On the other hand, maybe it was just a band with a very terrible name, designed to make sure no one but total freakshows ever showed up for a gig. Either way, I sort of steeled myself, took a breath, and walked in.

I stopped dead in my tracks. The place is fucking huge. This was seriously one of the biggest non-beergarden bars I have ever been in at any point in my life. There's a long bar along the right that had to be fifty or sixty feet long. (Maybe more: my concepts of space and time are horribly lacking.) But that's not all; to the left there was a large library/lounge. I immediately loved that little bit. It felt like an old Gentleman's Club (not the sort where Russian women testily ask if you want a dance every ten seconds), the sort of place Victorian adventurers would gather to swap stories of tigers, intrigue, and turning invisible or something.

And still this bar went on. Behind the lounge were two bocce ball courts, side-by-side. Behind that was a raised section, marked "Reserved for Bruklyn Knights." I didn't even go downstairs, where there is apparently a performance space. This is a bar so big it has a split personality (another point I'll touch on again in a bit).


But the overall vibe I got on that pleasant afternoon was that of Men. From the library/lounge to the competitive sport indoors to the private club planning to meet in the back, everything felt like that mostly-illusive idea of a Club of Men, which has long fascinated me. My grandfather was a fairly high-ranking Mason. My Dad was a member of the local Elk's Club. Both interest me for differing reasons.

My first real experience with the Elks, outside of a conversational reference point, was when my first band played their first show. We were dopey assholes that barely knew their instruments and had songs about hillbillies and making fun of Pearl Jam. We opened up for a punk band called the Connie Dungs. Though half the crowd came for us (we had sold so many t-shirts that we actually had to perform), the other half was decidedly not amused. If I recall correctly, a Taco Bell "burrito" was thrown at us at one point.

But that wasn't the Lodge my father belonged to. Dad's Elks' Lodge was something of a speakeasy. In the middle of a dry area of town, it's a full bar and gambling emporium. I actually got to visit it a couple Christmases ago. Dad and I escaped a boring party thrown by my maternal Aunt (sweet lady, but that party was a snoozer). On the way we had one of those great father-son talks. He was also an early divorcée and, as he put it, the Elks was his Harefield; that is, the bar where he found a second home after a marriage failed.

That made it even more of a significant event, visiting that place. Boy, was it a sight. It was mostly old men grumbling at each other, just talking shit the way they have for fiftysome years. Card games going on at one table with rules Dad did his best to explain to me. Dad bought me a Bud and we chatted and I was introduced to his old bar buddies. It was fucking great. I bought the next round, and put in a shot of Maker's for myself because, why not? When I realized the two beers and a shot cost me around six dollars I never wanted to leave.

Speaking of buying booze, back in the present, I sat down at the top of the bar and selected Left Hand Stout from their twelve, wonderfully-varied taps. It was creamy, thick, and delicious, while not being overwhelming or heavy. The friendly bartender chatted me up a bit and it's apparently very light in both alcohol and caloric content. A sort of micro-brewed American Guinness I guess. I munched on a long pretzel and realized I miss the prevalence of bar snacks.

I've long been fascinated with the Masons. First off, I adore my late grandfather. GK Harmon was one hell of a man, the kind that sends us into tizzies trying to outworship his generation. But also, the Masonic story is fascinating, and the conspiracy theories even more. Directly post-college I tried to drum up interest in joining the Masons with my pals. That landed with a horrible thud. Even if the worst theories are true, damn, man, I want IN on that!

There's just something about a Men's Club that feels . . .intriguing? I'm not sure. I hesitate to dwell on it too much, as I don't especially like the gender politics of exclusion. However, I cannot deny that it's damn fine to just sit around and spend time with other dudes every now and then. I've always been friends with a lot of girls, and sometimes even catch hell about it. But I love a night of Men and I'm not sure if I could ever place why. I don't tend to buy into theories that men and women are naturally so different; it doesn't sit right. Sure, there might be some intrinsic differences (psychologically/emotionally, not just, uh, genitalially), but cultural indoctrination seems more likely for "Men are like ______, but women are like ________!" CUE LAUGH TRACK.

Hell, sometimes hanging with the boys includes a girl or two. Just like I've crossed over into being "one of the girls" there's sometimes a girl who is freely accepted in dudery, from poker night to late-night drunken trips to horrible strip clubs.

Tangent time. What the fuck is up with burlesque? God, I hate it. It has all the weird social discomfort of real stripping except no one gets naked. They wear nerdy costumes, have stupid fake names, feel way too confident about the way they look unclad, and generally just annoy me. I feel this tangent drawing to a close because I just figured out what is up with burlesque. It's Nerd Stripping. Nerds ruin everything, including things that were already terrible.

I'm not sure what exactly makes an individual apt for boys/girls night crossover; could be the fact that this individual never has and never will do sex on any of the members of the opposite gender in question. I could also be gay.

Anyway, Union Hall didn't have many people there at four, but most all were men. There was the helpful bartender, an older man drinking mixed drinks, and two younger fellows playing bocce with some of the weirdest body language I've seen. The Stout had been tasty, but it was too much to have more than one in a row. For my free pint, I chose a Captain Lawrence Kolsch. Been drinking a lot of kolsches lately; the warmer weather is bringing out the crispness. The Lawrence one is particularly crisp with a nice sweetness, very refreshing. To make up for the low alcohol content of the Stout, I paired the Kolsch with an Old Whiskey River.

Musing over the snack menu I noticed they served beer cheese. I've tried to explain this stuff recently, and it isn't that easy. It's a spreadable cheese, kind of like pimento, I guess? Except it's spicy and has beer in it. It's popular back in Kentucky, and harder than hell to find up here. As the owners of Union Hall (and Floyd's and the Bell House) are from Kentucky, so they've started making their own. Dear God is it delicious! And amazingly terrible for you, but who gives a shit, right?

Beside the head of the bar is a giant bulletin board where all the upcoming events are advertised. Bands, karaoke, game nights, classes (?), interviews . . .it honestly felt a little disparate and desperate. It's like Union Hall has a multiple personality disorder. Is it a men's lounge? Is it a venue? Is it a bocce joint? I mean, it is big enough to host not only multitudes of people but ideas, so I guess it's all right.

There's something hard to define about Union Hall. I liked it quite a bit, but something makes me slightly uncomfortable if I try to think about it. I guess it's like a Men's Club or a boy's night that way. Yeah, it's great, but if I try to examine why I get squicked out and worry I'm going to ruin the enjoyment I get. It can't be that I am uncomfortable exploring my feelings both about myself and my fellow males, can it?


That's just a stereotype, and those are bullshit.

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Tuesday, March 29, 2011

Mono-Lagering: High Dive

Given a gift of free beer coupons from 30 different bars from Brokelyn.com, Mr. Rice has decided to visit each one, and record his thoughts.

This week I went back to Park Slope again, to a place called High Dive. I expected either a beautifully seedy shithole or, oddly, a pool-themed place. Why I thought that was actually possible, I have no idea. When I got there, I realized I had been there under previous ownership. I don't recall the name of the place; neither it nor the previous bar itself were notable in basically any way. Entering High Dive, I knew the change had been for the better.

It was a spacious bar, decorated casually and invitingly. There was the main bar area itself, a large corridor with some high tables, a back room with lower tables, a pinball, and lots of board games, and what looked to be a backyard, too. This would be an excellent place to throw a party, or just to party.




So I sat down at the bar and ordered a Lagunitas Brown Shugga to keep my brown ale streak going. I was surprised by the amount of hop in the beer. If you've ever read this blog before, you know that hops and I are not on the friendliest terms. I was, at first, disappointed. But I have to say, it really did balance the sweetness well, keeping it from being overly syrupy. So I guess those bastards have a point.

I really liked the "buy a drink" board on the bar wall. Anyone can pay for a drink for a friend they figure will drop by later. Three columns: To, What, and From. Some people bought whiskeys for friends, others just put money down. This is a place friends go, together or separately, to have a good time. I even recognized a name or two. My brotherman Alex came in, dropped down, and ordered a Jameson.

New York is a drinker's town. Public transportation almost everywhere you look, more bars than Rykers, and a rich semi-literary tradition of great indulgence in the sauce. When we first set out to make Here Comes a Regular a drinking blog, we didn't want it to be some frat house nonsense, nor a mere house for reviews, nor some apologetic skirting-around-the-topic neurosis-fest, nor even some misguided braggadocio list of times we got SO WASTED.

No, this blog is for the drinker's life, the real drinker, the kind that a lot of folks don't quite understand. I received an email from my mother today, the kind you never want to receive. There were concerns expressed that a thirty-three year old man like myself should not find himself "living like [he's] twenty-one." People I know from elsewhere, sometimes even new New Yorkers, they nervously laugh when they point out that I go out quite a bit.

So there's a special layer of drinking life in New York. I genuinely think it's the best city on earth, but it isn't without flaws. Perhaps primarily (other than vicinity to Jersey and the existence of Staten Island), is that this is a fucking stressful place to be. Every part of your life, in New York, has a heightened level of stress than it would in a lot of other places. Working in New York? Jesus, just getting there can give you hives, whether through overcrowded subways, aromas, or chapped legs during the summer.

And dating, shit! Some of the smartest, wittiest, best looking people in the world flock to this city. You see them all around you. But we're all so busy trying to be quietly polite by giving everyone their space that we don't meet all that often. It's difficult to settle down with anyone, too, when you see hundreds of new temptations on your way home every night.

So life here is stressful; that's not exactly news to anyone. Alex and I discussed work stresses and ordered another round. This time I also got a Buffalo Trace White Dog, perhaps my favorite market moonshine. I took a belt of it and chased it with the Brown Shugga. HOLY SHIT GUYS. I think I invented something right then. That shine mixed with the sweetness of the ale to form a creamy, powerful punch. I immediately started raving, and the bartendress talked about making a drink special out of it. It was that good.


So, yes, in New York you're stressed and you're working your ass off just to get by. But you get well compensated by living in the funnest place in the world. All those bars are joined by entertainment of all sorts. Gospel every Friday at Fat Cat, Kung fu film festivals, comic shops, comedy, comfortable theaters . . .we've really got everything. So after we work our ass off we party our ass off. So maybe not everyone in the country understands; I don't really care. In this town you have to fight to be happy, and that's one fight I'm not backing down from.

And there's no one better to party with than your friends. Alex and I yucked it up throughout the night, being joined by other friends later. Stupid running jokes and plays on words, the sort of secret handshake at the core of every friend group. There's not a sad face in the crowd if its friends.

And that's the ultimate drink special, isn't it? Booze plus pals equals fun. That is fucking SCIENCE, man (this post has had so much science). And I, for one, can't wait to make science happen at High Dive again. Check the drink board; if you're lucky, I'll leave you one.

Photos by D. Alexander Cox.

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Tuesday, March 15, 2011

Mono-Lagering: Mission Dolores

Given a gift of free beer coupons from 30 different bars from Brokelyn.com, Mr. Rice has decided to visit each one, and record his thoughts.

For my third bar in this series, I headed back to Park Slope. Mission Dolores is actually the first bar in the coupon book I've visited that I've already been to, and while I'm not exactly a regular, it's not uncommon to see a familiar face there. An offshoot of sister establishment, Bar Great Harry on Smith Street (about which I will say more some other week), Mission Dolores is kind of a combination of a series of questionable ideas and choices. That might sound like this will be the first negative review in this series, but I'd like to posit there's something to be gained from questionable choices; a true unappreciated beauty in fuck-uppery.

Opened, I believe, this past summer, Mission Dolores used to be a car garage, and parts of the basic structure still exist. It's divided into three main compartments: the first, a long, hall-like passage open to the outside; the second has an open roof and ash trays galore, and only the third is completely encased in man-made materials. That's the part with two pinball machines, a juke, and the bar. And in that first summer, goddam, was that a glorious set-up! Access to smoking and fresh air can be a rarity in this city, and it's appreciated wherever we can find it.



But it's not easy to remember that it is actually pleasant outside in New York about a total of twenty-five days a year, the other three-hundred and forty consisting either of torrential rain, bitter cold, or searing heat; or, some days, a fucked up chimera of all sorts of shit weather. So, walking to this bar before Spring has sprung, I felt ready to see a bar on its last legs, a sort of "OOPS THERE ARE OTHER SEASONS," colossal mistake.

But I'll be damned if I didn't enjoy myself. The beer selection is large and full of fun surprises. The only problem was myself (an oft-repeated theme in my life). My stomach was sending odd signals to the rest of the body (also an oft-repeated theme), vague but unsettling. "Something might happen, and it might be bad, but I don't know what or when!" Drinking beer to settle a stomach is one of those perfectly questionable ideas; wait, what, that's a terrible idea! Fuck logic or health, I say it works. A couple of hearty beers can straighten out a confused stomach almost as easily as a confused heart.

So I began with a Bear Republic Heritage, a nice 7.8% caramel-tinged stout that immediately brought a smile to my face, and the equivalent thereof to my digestive system. As Van Halen and Queen filled the aural landscape, I actually reminisced to a previous trip to this bar. I was to meet up with a girl I had recently dated. We split because I was still feeling summery rambunctious independence and . . .she was not. It was a decidedly questionable idea, but I was high on my own testosterone and serotonin, and I think I had a case for her contacts or something?

We talked and we flirted and I felt intoxicated by the unspoken power struggles going on. She wanted to be OK with flirty independence, but hoped more that I could be convinced to come in from the wide world of pointless dating.

Flash forward to me back at the bar, nodding at the virility I felt then and the stupid irony of the fact that the night before it was I seeing another ex, and in this situation I'd been the clinger and she the sheet of Downy in the dating pool. The imbalance of power, of affection, it's a see-saw, a sine wave of heartbreak and annoyance. To continue to try after untold amounts of fuck-ups and shit-storms, well, that's a goddam questionable idea isn't it?

So I ordered another beer, a Victory Baltic Thunder. Another malty delicious glass of power, this time 8.5% APV. You could taste the strength, but not obnoxiously so. Perhaps ordering two high-APV beers before meeting up with friends for a night of beer and dice isn't the greatest idea either.

But what great idea isn't questionable? Think about the first person that ate a chicken egg. What exactly was his plan? "Hm. The next thing that comes out of that animal, I'm straight up going to eat it." And then he ate it and it was awful! But this did not stop our egg innovator. Do you think he immediately though, "How about if I put it on fire?" Were there other steps before he finally realized, "Ohhhh, yeah, this is good!"

In the middle of the twentieth century, some guys basically thought, "OK, so we have these crazy Nazi scientists who have built giant rockets. What if I were to strap myself to one and go into space, and hopefully come back? BINGO GREAT IDEA LET'S GO!" It's completely insane, but it changed the world, and allowed Tom Hanks to produce hours of boring cinema.

Mission Dolores has a great beer selection and a friendly, open, helpful staff. Sure, it can be crowded at night on the weekend; crowded with folks that sometimes seem like cartoon parodies of how the rest of the city sees the Slope, juggling strollers and neo-liberal solipsisms like an early astronaut with his myriad of dials and scopes. And it's directly neighboring Rock Shop, a similar bar with live music and TVs. It's a block away from the place I signed and finalized my divorce.

But like the exploration of culinary arts, the cosmos, or the minefield of dating in New York, sometimes a questionable idea can be a great time. Come on folks, let's strap in, get a little stupid, and make some mistakes together. Can't make a space omelet without breaking your heart a few times.

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Tuesday, March 1, 2011

Mono-Lagering: The Sackett

Given a gift of free beer coupons from 30 different bars from Brokelyn.com, Mr. Rice has decided to visit each one, and record his thoughts.

So, the first bar I tried was The Sackett (661 Sackett St. between 4th Ave & 5th Ave). Mere blocks away from my buddy Alex's place, I had apparently walked by it for over a year without knowing it was there. The Bushwick-to-Park-Slope commute is not one that engenders anything other than "I WANT TO GET TO WHERE I AM GOING," by the time you're out of the train, I suppose. That and I am not a particularly observant person by nature.

So I was on my way to Alex's for our weekly Dungeons and Dragons game (yes, actually) and I had plenty of time in between my teacher-out-of-work schedule and the normal-people-out-of-work schedule to indulge in some beers, and I popped in. I was made comfortable pretty much immediately. Not a huge joint, but pleasantly basement-y. Now, I've seen a lot of bars that try very hard to be basement-y and it just comes off as pretentious. What was that bar in the Village? Apartment or something like that? Shag carpet, bric-a-brac . . .it got the look pretty much dead on; the only problem was that it was awful.


It's fun to think about old times, downing cheap beer in brown basements, hiding from the adult world looming just upstairs (in the form of whichever parents were lax enough not to be a problem) and just a few years away (in the form of leaving high school and realizing the reason those parents were so lax is that no one has a fucking clue what they're doing). And, yes, we have nostalgia for those times and those friends, the friends of stupid pranks, the friends of inside-jokes nearly, but never quite forgotten.

But we weren't really any more happy then. It seems so much simpler, but the minor pains of teenage life, at the time, seemed to hurt just as much as the drudgery and unbelievable depths adult life contains. A prom date refusal, by way of the unfortunate law of emotional relativity, seemed just as painful then as a true, adult love cut short by the random capriciousness of disjointed human interaction.

But the Sackett wasn't trying too hard. It was sort of an expressionistic set of a basement. A couch, something slightly rough-hewn about the walls. Some board games, some books. It was just enough to be Not Every Other Bar, but hardly some Epcot of Misguided Post-Boomer Idiocy.

I sat down and ordered a Brooklyn Brown bottle. I really like a good brown ale, but what a goddam razor's line that is. The slightest chemical miscalculation and it can taste like someone found rotten Quik, that awful rabbit hobbling behind with a gangrenously unlucky foot. But the one from Brooklyn is good. It was happy hour and all drinks were two dollars off, which is a pretty great deal when the average beer is already only five or six. I felt my mind relax from the stress of the first day back to work after a break. I began to talk to the bartender, but another customer came in.

This was one of those faux-business men, the born New Yorker salesman, ten years on the job starting at 19. He's got the shirt and tie, but the social niceties afforded by more comfortable beginnings are nowhere to be seen. He talks loudly to . . .clients? . . .peers? . . .on his cell-phone while sipping a cocktail. I bristled with annoyance, and then again with class guilt. Oh, how hard to be the middle class white asshole who just happens to know how everyone should act all the time! And yet, it was legitimately annoying. Some niceties are there for a reason.

Turns out he was a salesman for a credit card processing company; the sort of company that supplies your local bar with the credit card machine, that takes a bit off the top of every credit card purchase to the dismay of service industry workers nation-wide. He chatted up the bartender about meeting the owner, yet complimented the company currently being used.

He's not really at the bar, he's looking for business. Like that Village bar, he's got the costume down perfectly, but ten years later he's facing the same malaise that MBAs have at some point, that we all have at some point: we have to keep doing this stupid shit until we die. Not that every job is stupid shit, or even that his is, but there is no denying we're knee-deep in the horseshit that is practical living: I really want THIS but I have to do THIS in order to live long enough to be too old to do that first thing we really want.

The salesman leaves and I continue my conversation with the bartender. It turns out that he's practically a neighbor, just a few streets over from my apartment in Bushwick. We shoot the shit about local joints and "how the neighborhood has changed" and so on, both putting on our own costumes. Oh, yes, we're cracker-ass imports to the neighborhood but WE'RE not the ones gentrifying the place where all my students' families have always lived, no, that's those OTHER guys. The hipsters with their cafes and their art spaces. Meanwhile my favorite local place has price points that price out anyone native to Bushwick.

At this point I order my free pint, a Six Point Pilsner. Normally a fan of darker, maltier beers, a good pils is my next choice. The beer selection at the Sackett is small but very diverse; a lot of great mirco-brews, and without the preponderance of the current trend of "LET'S SEE HOW FUCKING HOPPY WE CAN MAKE THIS BEER," that seems to shape beers these days. Christ, if I wanted that, I'd eat a bunch of flowers. I don't begrudge hop-fans their love, but some bars cater to them exclusively. Some of us like malts, guys.

I hadn't had the Six Point pilsner before, but it was quite good. Crisp with an easy finish, just sweet enough to entice, but not so much to ruin any refreshing qualities . Actually, one of my favorite beers is a pilsner, Presidente. I first came across it here in Bushwick, as it's imported for the local Dominicans. I first bought them out of a sort of pretentious loyalty to the neighborhood, the sort shown during my talk with the bartender.

But here's the thing, it's fucking delicious! It's my all-time favorite pilsner and among my top five favorite bottled beers anywhere. It goes with just about anything, and I never get tired of it, even after a long bender. So that pretention, that play-acting, that class-guilt-derived impulse, it actually led to a genuine discovery, to knowledge and pleasure both gained.

David Bowie and Bjork played on the juke, in rapid succession. Two musicians well-aware of the power of pretend, of putting on a mask, a pretention of persona; but they also know sometimes that is how you actually do something worthwhile. Whether calculating or stumbling, we can never be sure what the actual results of anything we do are, even our neurotically- or socially-driven charades.

Later, I move on along to Alex's and we roll our twenty-sided dice. Like in real life, we're role-playing, and, like in real life, sometimes that turns out well. A few touches create a relaxing atmosphere in a bar. An abrasive costume can earn a living for a family. And a guilt-ridden cracker can find a delicious beer. If you don't roll the dice, you never get a critical hit.

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